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Popular microphone connector from 1930s to 1980s, originally manufactured by Amphenol. Amphenol sold this production to WPI Interconnect in early 1980s. The Amphenol 80-MC2M, which mates with the 80-PC2F, microphone connector was popular with American radio manufacturers (1950s to 1970s). The Amphenol 80-PC2F connector, that mates with the 80-MC2M
It allows the microphone to be positioned in the studio, on stage or on location without requiring a person to hold it. The most basic microphone stand is a straight stand . It uses a dome -shaped round metal base, or a tripod base, into which is threaded a post for mounting the microphone (most commonly a 5/8-27 threaded hole).
The FT-817 is based on a similar circuit architecture as Yaesu's FT-857 and FT-897, so it is a compromise transceiver and incorporates its features to its low price ($670.- at its 2001 release). [ 3 ]
Astatic model D-104 microphone. In 1930, two amateur radio operators, Creed M. Chorpening, W8WR (later W8MJM) and F.H. Woodworth, W8AHW began experimenting with different types of microphones for their "ham" stations. Their mutual friend, Charles Semple, worked for Brush Development Company where he had been experimenting with Rochelle salt ...
The FT-1000MP is an amateur radio ("ham") transceiver series, built by Yaesu.It is an "all-mode" set, operating in the high frequency (HF) frequency range. The "MP" suffix in the name was an homage to Sako Hasegawa, the late founder of the company whose callsign was JA1MP, and who heavily influenced the design and feature set built into this radio.
A Yaesu FT-891 Radio Tuned to the 10 Meter Band. The Yaesu FT-891 is a HF and 6 meters all mode mobile amateur radio transceiver. The FT-891 was first announced to the public by Yaesu at the 2016 Dayton Hamvention. [1] The radio has 100 watts output on CW, SSB, and FM modulations and 25 watts of output in AM. [2]
The Minolta SR-mount was the bayonet mounting system used in all 35 mm SLR cameras made by Minolta with interchangeable manual focusing lenses. Several iterations of the mounting were produced over the decades, and as a result, the mount itself was sometimes referred to by the name of the corresponding lens generation (f.e. "MC", "MD" or "X-600") instead.