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(2012), and Stray Cats, a collection of singles and rarities included as part of The Rolling Stones in Mono box set (2016). The Rolling Stones have played "Jumpin' Jack Flash" during every tour since its release. It is the song the band have played in concert most frequently, [18] [19] and has appeared on the concert albums Get Yer Ya-Ya's Out!
Rolling Stone ranked it 39th in its countdown of the band's top 100 songs, calling it "an early, vital result of the Stones turning to rock's deeper roots." [ 6 ] Classic Rock History critic Matthew Pollard rated "No Expectations" as the Rolling Stones' 8th best deep cut, calling it "the Rolling Stones at their most vulnerable."
The riff is similar to those on The Rolling Stones' "Jumpin' Jack Flash". [3] The song includes a saxophone solo that Billboard described as "hot," as well as a guitar solo by Dave Davies. [2] [4] Cash Box said the song was "topical" with "a hypnotic blues-rock beat," summarizing the song as "good natured pop with a message."
Those miracles of modern science, the Rolling Stones, celebrated the release of their first album of original music in 18 years with a Manhattan club gig on Thursday. Before a celebrity-strewn ...
In the Rolling Stone review of the album, critic Lester Bangs said, "I have no doubt that it's the best rock concert ever put on record." [16]Get Yer Ya-Ya's Out! was released in September 1970, well into sessions for the band's next studio album, Sticky Fingers, and was well-received critically and commercially, reaching number 1 in the UK [17] and number 6 in the United States, [18] where it ...
The song on the album is similar to that original recording, with the Stones keeping the original rhythm track. The meaning of the lyrics was summed up by Jagger in the liner notes to the 1993 compilation Jump Back; "The idea of the song has to do with our public persona at the time. I was getting a bit tired of people having a go, all that ...
According to Bruce Eder of AllMusic, the album resulted from "three coinciding events – the need to acknowledge the death of the band’s founder Brian Jones (whose epitaph graces the inside cover) in July 1969; the need to get 'Honky Tonk Women,' then a huge hit single, onto an LP; and to fill the ten-month gap since the release of Beggars Banquet and get an album with built-in appeal into ...
The music magazine Rolling Stone, in a 14-page, 11-author article on the event entitled "The Rolling Stones Disaster at Altamont: Let It Bleed" published in their January 21, 1970, issue, stated that "Altamont was the product of diabolical egotism, hype, ineptitude, money manipulation, and, at base, a fundamental lack of concern for humanity". [9]