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Review of 2008 Claudel exhibition at Musee Rodin, Paris; Camille Claudel and Rodin: Fateful Encounter at Detroit Institute of Arts 2005; Claudel pages, including biography and timeline, at rodin-web.org; Camille Claudel at artcyclopedia.com; Camille Claudel, Of Dreams and Nightmares
Camille Claudel [39] 1884 Bronze Musée Rodin, Paris 27 x 21 x 21 Young Mother: 1885 Bronze Museo Soumaya, Mexico City 38.8 x 26.7 x 36.5 More images: Young Mother in the Grotto: 1885 Plaster Philadelphia Museum of Art 36 x 25,5 x 22 More images: Young Woman with a Serpent: 1885 Bronze Musée Rodin, Paris 33.2 x 12.6 x 14.2 More images: The ...
Camille Claudel and Rodin: Fateful Encounter (October 9, 2005 – February 5, 2006) The exhibit contains work by Auguste Rodin and Camille Claude. Sixty-two sculptures by Claudel and fifty-eight by Rodin created before the two artists met along with sculptures created during the good and bad years of their relationship are displayed.
Auguste Rodin had taken Camille Claudel on as a student in 1884, and she became his associate and lover. He eventually refused to marry her, reluctant to end his long-term relationship with Rose Beuret, mother of his son and later his wife. This love triangle, and an abortion, caused a separation between Claudel and Rodin in 1892, but they ...
A photograph of Rodin in 1891 by Nadar. Claudel and Rodin parted in 1898. [29] Claudel suffered an alleged nervous breakdown several years later and was confined to an institution for 30 years by her family, until her death in 1943, despite numerous attempts by doctors to explain to her mother and brother that she was sane. [30]
La valse, Musée Camille Claudel; Rodin and Camille Archived 2020-04-26 at the Wayback Machine, Musée Rodin; The Waltz (Camille Claudel) Archived 2019-12-17 at the Wayback Machine, Musée Rodin, la boutique; The sexual ecstasy of Camille Claudel – and why it proved too much for the establishment, The Spectator, 8 April 2017
The show's opening scene is in 1913, when Camille was removed from society, then flashes back to 1881 and onward. The plot focuses on Claudel's career and her tempestuous relationship with Auguste Rodin, for whom she was a source of inspiration, a model, a confidante, and a lover.
However, at the time of his creation of Eternal Springtime, he was in a romantic relationship with Camille Claudel, and Reine-Marie Paris, the granddaughter of Claudel's brother Paul Claudel, has suggested that traces of Camille can be discerned in the woman of this piece and in other female figures prominent in works Rodin created in the mid ...