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Music censorship refers to the practice of editing musical works for various reasons, stemming from a wide variety of motivations, including moral, political, or religious reasons. Censorship can range from the complete government-enforced legal prohibition of a musical work, to private, voluntary removal of content when a musical work appears ...
Footwork, also called juke, [2] or Chicago juke, is a genre of electronic dance music derived from ghetto house with elements of hip hop, first appearing in Chicago in the late 1990s. [3] The music style evolved from the earlier, rapid rhythms of ghetto house , a change pioneered by RP Boo , DJ Rashad and DJ Clent.
Regional and national music with no significant commercial impact abroad, except when it is a version of an international genre, such as: traditional music, oral traditions, sea shanties, work songs, nursery rhymes, Arabesque and indigenous music.
The future first lady assembled a group that came up with a list of the "Filthy 15" songs, which included tracks by Prince, as well as Madonna, AC/DC, Mötley Crüe and others.
House music originated in a Chicago nightclub called The Warehouse. Chicago house is the earliest style of house music. While the origins of the name "house music" are unclear, the most popular belief is that it can be traced to the name of that club. DJ Frankie Knuckles originally popularized house music while working at The Warehouse. [6]
On Broadway, the song was originally performed by Chita Rivera, with Candy Brown, Cheryl Clark aka Cheryl A Clark, Graciela Daniele, Michon Peacock and Pamela Sousa. In the 2002 film , this musical number is performed by Catherine Zeta-Jones (as Velma Kelly), Susan Misner (as Liz), Denise Faye (as Annie), Deidre Goodwin (as June), Ekaterina ...
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980.
The late 1990s saw a rise in juke music (also known as juke house or Chicago juke), [6] as a faster variant of ghetto house. [10] Juke songs are generally around 150–165 BPM [7] with kick drums, pounding rapidly (and at times very sparsely) in syncopation with crackling snares, claps, high hats, samples in very short increments and other sounds reminiscent of old drum machines.