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  2. Women in the Popular Front in the Spanish Civil War

    en.wikipedia.org/wiki/Women_in_the_Popular_Front...

    Asociación de Mujeres contra la Guerra y el Fascismo underwent a second name change in 1936, shortly after the start of the Civil War. Their new name was Agrupación de Mujeres Antifascistas. From there, the group would play a prominent role in sending and supporting women on the front lines in the war. [29]

  3. Mujeres Libres - Wikipedia

    en.wikipedia.org/wiki/Mujeres_Libres

    Mujeres Libres (English: Free Women) was an anarchist women's organisation that existed in Spain from 1936 to 1939. Founded by Lucía Sánchez Saornil , Mercedes Comaposada , and Amparo Poch y Gascón as a small women's group in Madrid, it rapidly grew to a national federation of 30,000 members at its height in the summer of 1938.

  4. Si vis pacem, para bellum - Wikipedia

    en.wikipedia.org/wiki/Si_vis_pacem,_para_bellum

    Relief at the entrance of the Cultural Center of the Armies in Madrid, showing the Latin phrase "Si vis pacem, para bellum.". Si vis pacem, para bellum (Classical Latin: [siː wiːs ˈpaːkɛ̃ ˈparaː ˈbɛllʊ̃]) is a Latin adage translated as "If you want peace, prepare for war."

  5. Guerra de mujeres - Wikipedia

    en.wikipedia.org/wiki/Guerra_de_mujeres

    Guerra de mujeres (English title: War of the women) [1] is a Venezuelan telenovela written by César Miguel Rondon and Monica Montañés, and it was produced by Venevisión in 2001. Gaby Espino , Jorge Reyes and Mimí Lazo starred as the main protagonists.

  6. All the Women - Wikipedia

    en.wikipedia.org/wiki/All_the_Women

    All the Women (Spanish: Todas las mujeres) is a 2013 Spanish comedy-drama film directed and co-written by Mariano Barroso, starring Eduard Fernández based on the 2010 television series of the same name. [1] [2] At the 28th Goya Awards, the film won Best Adapted Screenplay from a total of four nominations. [3]

  7. Sin senos no hay paraíso - Wikipedia

    en.wikipedia.org/wiki/Sin_senos_no_hay_paraíso

    Gustavo Bolivar's heroine is a prepago, or "pre-paid girl", which means she sells her services around-the-clock for a set period, hoping to make extra money. [2] The screenwriter says Paraíso highlights an unflattering part of his country: teenagers in the Colombian narco-culture getting breast implants.