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Christian right-wing Buhay Partylist Representative Lito Atienza said a separate "anthem" for the Bangsamoro region would not encourage national unity, and if the song is similar to the hymns used by other local government units, he insisted that the proposed legislation be explicitly stated as "hymn" rather than "anthem". [2]
The essential purpose of the list is to identify prehistoric cultures in the region but many of the peoples continued to inhabit Anatolia into and through classical and late antiquity, so the actual scope of the list encompasses the history of Anatolia from prehistory to the Eastern Roman Empire (4th to 7th centuries AD), during which ...
This is a list of ancient Anatolian peoples who inhabited most of Anatolia (or Asia Minor). “Anatolian” here has the meaning of an Indo-European branch of peoples that lived in the Anatolia Peninsula or Asia Minor, although not all ancient peoples that dwelt in this Peninsula were Indo-Europeans.
The Anatolian peoples were intruders in an area in which the local population had already founded cities, established literate bureaucracies and established kingdoms and palace cults. [2] Once they entered the region, the cultures of the local populations, in particular the Hattians , significantly influenced them linguistically, politically ...
These songs celebrated the exploits of the Akritai, the frontier guards defending the eastern borders of the Byzantine Empire. The most popular instrument in the Pontian musical collection is the kemenche or lyra , which is related closely with other bowed musical instruments of the medieval West, like the Kit violin and Rebec .
Articles relating to the Anatolian peoples, Indo-European peoples of the Anatolian Peninsula in present-day Turkey, identified by their use of the Anatolian languages.These peoples were among the oldest Indo-European ethnolinguistic groups, and one of the most archaic, because Anatolians were the first or among the first branches of Indo-European peoples to separate from the initial Proto-Indo ...
The mythic Midas of Thrace, accompanied by a band of his people, traveled to Asia Minor to wash away the taint of his unwelcome "golden touch" in the river Pactolus. Leaving the gold in the river's sands, Midas found himself in Phrygia, where he was adopted by the childless king Gordias and taken under the protection of Cybele.
The competition's brief for the anthem included that its short form for official ceremonies (first stanzas or two verses and chorus) should not exceed one minute in length and that each entry should include lyrics, sheet music, a good recording and an explanatory note and be submitted in one of the working languages of the AU.