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Chinese blue-and-white ware were copied in Europe from the 16th century, with the faience blue-and-white technique called alla porcelana. Soon after the first experiments to reproduce the material of Chinese blue-and-white porcelain were made with Medici porcelain. These early works seem to be mixing influences from Islamic as well as Chinese ...
By the end of the century, blue and white wares in the Kangxi style were produced in large quantities and almost every earlier style and type was copied into the 20th century. [22] In modern times, historic Chinese export porcelain is popular with the international fine arts market, though recently less so than wares made for the domestic market.
As the only firmly dated Yuan dynasty porcelains for many years, the vases have been considered as "one of the main cornerstones in the chronology of blue and white", and "linchpin in studies of the development of Chinese ceramics with underglaze blue decorations", [15] and the standard by which all other Yuan dynasty blue-and-white pieces may ...
The Vase with the Poet Zhou Dunyi is a traditional Chinese porcelain vase produced in 1587, during the Ming Dynasty. [1] The Vase can be identified by its Wanli Mark and period qualities, constituting its cobalt blue paintings decorating the transparent glazed porcelain. [ 1 ]
Jingdezhen dish of typical shape. Width: 18 5/8 in. (47.3 cm). For profile view see below. Kraak ware or Kraak porcelain (Dutch Kraakporselein) is a type of Chinese export porcelain produced mainly in the late Ming dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). [1]
In 1970 a small fragment of a blue and white bowl, again dated to the 11th century, was also excavated in the province of Zhejiang. In 1975, shards decorated with underglaze blue were excavated at a kiln site in Jiangxi and, in the same year, an underglaze blue and white urn was excavated from a tomb dated to 1319, in the province of Jiangsu.