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Psycho II, a 1983 sequel to the first film (unrelated to the novel Psycho II) Psycho III, a 1986 sequel to the first film; Bates Motel, 1987 network television movie and proposed series pilot; Psycho, a near shot-for-shot remake of the original directed by Gus Van Sant in 1998; The Psycho Legacy, 2010 documentary about the series
In America, Psycho was released on DVD on May 26, 1998, and a 2-Disc Special Edition with digitally remastered picture and new extras was released on October 7, 2008. As for the sequels, Good Times Home Video released Psycho II on DVD in full screen on March 2, 1999, and released Psycho III on September 28, 1999.
Psych is a series of comedy-drama mystery films, based on and serving as a continuation of the USA Network television series of the same name.Beginning with the 2017 film Psych: The Movie, the series has seen favorable critical reception [1] [2] [3] with the Peacock streaming service ordering all films succeeding the first.
WABC-TV in New York City was the first station in the country to air Psycho (with some scenes significantly edited), on its late-night movie series, The Best of Broadway, on June 24, 1967. [ 148 ] The film finally made its way to general television broadcast in one of Universal's syndicated programming packages for local stations in 1970.
The latest Psycho-Pass movie is reuniting season 1's fan-favourite partners: here's how and where you can watch the new story of this dystopian world.
Thomas Lee Holland (born July 11, 1943) is an American filmmaker. He is best known for his work in the horror film genre, penning the 1983 sequel to the classic Alfred Hitchcock film Psycho, [4] directing and co-writing the first entry in the long-running Child's Play franchise, [5] and writing and directing the cult vampire film Fright Night. [6]
The franchise is loosely based on the novel Psycho (1959) by Robert Bloch. Pages in category "Psycho (franchise) films" The following 7 pages are in this category, out of 7 total.
It's not the full-on 'queer Psycho' that Van Sant fans predicted, but it is an extraordinary drag act". [26] Leonard Maltin's Movie Guide classified the film as a "bomb", compared to the four-out-of-four stars he gave the original. He describes it as a "slow, stilted, completely pointless scene-for-scene remake of the Hitchcock classic (with a ...