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Allegro moderato – close to, but not quite allegro (116–120 bpm) Allegro – fast and bright (120–156 bpm) Molto Allegro or Allegro vivace – at least slightly faster and livelier than allegro, but always at its range (and no faster than vivace) (124–156 bpm) Vivace – lively and fast (156–176 bpm)
Very fast Prestissimo: very prompt, very quick: Very very fast (above 200 BPM) Rallentando: slowing down: Decelerating Ritardando: retarding: Decelerating Tardo: slow, tardy: Slow tempo Tempo: time: The speed of music; e.g. 120 BPM (beats per minute) (Tempo) rubato: robbed: Free flowing and exempt from steady rhythm Tenuto: sustained: Holding ...
Fast rapido Fast rasch (Ger.) Fast rasguedo (Spa.) (on the guitar) to play strings with the back of the fingernail; esp. to fan the strings rapidly with the nails of multiple fingers ravvivando Quickening (lit. "reviving"), as in "ravvivando il tempo", returning to a faster tempo that occurred earlier in the piece [11] recitativo
Sarabande et allegro for oboe and piano (1929) Sicilienne et allegro giocoso for bassoon and piano (1930) Romance, scherzo et finale for viola and piano (1932) Sonata for cello and piano (1936) Romance et scherzo for flute and viola; Piano. Au jardin de l'enfance, 6 pieces after L'Art d'être grand-père by Victor Hugo (1907).
Allegro is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics), their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor Jr., who follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital.
Dramma giocoso (Italian, literally: drama with jokes; plural: drammi giocosi) is a genre of opera common in the mid-18th century. The term is a contraction of dramma giocoso per musica and describes the opera's libretto (text). The genre developed in the Neapolitan opera tradition, mainly through the work of the playwright Carlo Goldoni in Venice.
The following is a sortable list of compositions by Edvard Grieg (1843–1907). [1] The works are categorized by genre, catalogue number, date of composition and titles. ...
Poulenc began to think of writing a flute sonata in 1952, but he was occupied with his Sonata for Two Pianos and then his opera, Dialogues des Carmélites. [1] In April 1956, when he was still working on the opera, he was approached by Harold Spivacke of the American Library of Congress with a request to write a piece for two pianos or alternatively a chamber piece for up to six instruments. [2]