Ads
related to: wood vinyl wrap for stereo receivers
Search results
Results From The WOW.Com Content Network
Originally they were made of polished wood to blend with the furniture of the 1930s, with many styled by the leading designers of the day. An expensive instrument of entertainment for the house, fitted with a larger loudspeaker than the domestic radio , the radiogram soon began to develop features such as the record autochanger, which would ...
An AV or Stereo receiver (in context often just called a receiver) is a component in a hi-fi or home theatre system combining a radio and audio amplifier in one unit that connects to the speakers and often to other input and output components (e.g. turntable, television, tape deck, and CD and DVD players)
Fisher's first receiver was the model 500, a mono AM/FM receiver using two EL37 output tubes. It had a brass-plated face panel and an optional mahogany or "blonde" wooden case. This early mono receiver should not be confused with the later stereo tube receiver models, the 500B and 500C. [9]
A plastic 45 rpm adapter that inserts into the large spindle hole of a 45 rpm record. A 45 rpm adapter (also known as a 45 rpm record insert, 45 rpm spindle adapter, spider, or 7-inch adapter in reference the usual size of a 45 rpm record) is a small plastic or metal insert that goes in the middle of a 45-rpm record so it can be played on the standard size spindle of a turntable.
In 1958, the first group of mass-produced stereo two-channel vinyl records was issued, by Audio Fidelity in the US and Pye in Britain, using the Westrex "45/45" single-groove system. Whereas the stylus moves horizontally when reproducing a monophonic disk recording, on stereo records, the stylus moves vertically as well as horizontally.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
A four channel quadraphonic diagram showing the usual placement of speakers around the listener. Quadraphonic (or quadrophonic, also called quadrasonic or by the neologism quadio [1] [formed by analogy with "stereo"]) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space.
Most sound recordings for records before the 1950s were made by cutting directly to a master disc. Recording via magnetic tape became the industry standard around the time of the creation of the LP format in 1948, and these two technological advances are often seen as being joined, although 78 rpm records cut from tape masters continued to be manufactured for another decade.