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Seichō Matsumoto (松本 清張, Matsumoto Seichō, December 21, 1909 – August 4, 1992; born Kiyoharu Matsumoto) was a Japanese writer, credited with popularizing detective fiction in Japan. Matsumoto's works broke new ground by incorporating elements of human psychology and ordinary life.
The Demon (鬼畜, Kichiku) is a 1978 Japanese psychological drama directed by Yoshitarō Nomura and written by Masato Ide, based on the short story by Seichō Matsumoto. Plot [ edit ]
Matsumoto not only wrote the script and directed the film, he also stars as the man trapped in the white room. Being that large parts of the narrative are based on non-verbal communication and set in a singular space, Symbol is comparable to films like Aragami (Ryuhei Kitamura) and the Cube film series.
The film depicts a figure sitting in an outdoor environment and wearing a robe and a Hannya mask. [3] [4] The film features receding and shifting images captured in a frame-by-frame manner; though these shots resemble zooms and pans, they were actually derived from positioning the camera on a series of a points.
The line started as an in-joke behind the camera that Scheider tried to include it at multiple points throughout filming. ... the speech down to a leaner version (without the permission or ...
Matsumoto's short story was repeatedly adapted for television in later years. [6] Some of these adaptations stayed closer to the original story, which has only one detective, Yuki, observe Sadako, [ 7 ] while others took over Hashimoto's idea to present two detectives.
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On July 14, 1978, just three days after the 16th episode of Captain Harlock aired on TV, [4] Farewell to Space Battleship Yamato arrived in theaters. This sequel had taken anime to even greater heights than its prior theatrical installment. Due to Leiji Matsumoto's success and popularity, plans for a film based on Galaxy Express 999 were moving ...