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A common misconception is that the reveal itself is a Chekhov's gun plot element. There are however exceptions in the James Bond films; in Licence to Kill for example, Bond gets an instant camera with a built-in laser gun that takes X-ray pictures, but is immediately used for comedic effect and makes no further appearance in the film.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
The phrase "Othello error" was first used in the book Telling Lies by Paul Ekman in 1985. [4] The name was coined from Shakespeare's play Othello , which provides an "excellent and famous example" [ 1 ] of what can happen when fear and distress upon confrontation do not signal deception.
The literary character of Othello and the plot of the play by Shakespeare has been a recurrent theme in painting for several centuries. Selected examples include The Plot depicting Othello and Iago, which was painted in oil by Solomon Alexander Hart in 1855. He also painted a watercolour version, held at the Victoria & Albert Museum in London.
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
Jokes and Their Relation to the Unconscious (German: Der Witz und seine Beziehung zum Unbewußten) is a 1905 book on the psychoanalysis of jokes and humour by Sigmund Freud, the founder of psychoanalysis. [1] It was published in German in 1905. The book's title in English is in accordance with the 1960 translation by James Strachey.
The medieval Latin joke book Facetiae by Poggio Bracciolini includes six tales about farting. François Rabelais' tales of Gargantua and Pantagruel are laden with acts of flatulence. In Chapter XXVII of the second book, the giant, Pantagruel, releases a fart that "made the earth shake for twenty-nine miles around, and the foul air he blew out ...
For instance, the lighthouses of Eddystone and the Casquets in Book II, Chapter XI in the first part, where the author contrasts three types of beacon or lighthouse ('Le phare des Casquets' and 'Le phare d'Eddystone' – both 1866. Hugo also drew 'Le Lever ou la Duchesse Josiane' in quill and brown ink, for Book VII, Chapter IV (Satan) in part 2.