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Herbert Whitton Sumsion CBE (14 January 1899 – 11 August 1995) was an English musician who was organist of Gloucester Cathedral from 1928 to 1967. Through his leadership role with the Three Choirs Festival, Sumsion maintained close associations with major figures in England's 20th-century musical renaissance, including Edward Elgar, Herbert Howells, Gerald Finzi, and Ralph Vaughan Williams.
Michael Sumsion from PopMatters lauded Swift's vocal delivery and selected the song as one of the tracks that represents the "compelling and entrancing patchwork" of the album. [27] Business Insider 's Callie Ahlgrim found much of the lyrics "beautiful and devastating", while Courtney Larocca from the same publication called the song "sneakily ...
The psalm setting is suitable for Anglican Evensong, and for programs around the topic of exile. [8] It was recorded in 1999 as part of English Choral and Organ Music, sung by Donald Hunt Singers conducted by Donald Hunt, along with works by Sumsion, Herbert Howells, Gerald Finzi and Edward Elgar. [3]
Apple Music is running its "best offer ever" — 6 months of the service for just $2.99. That's a whopping $63 savings over the six-month period. That's a whopping $63 savings over the six-month ...
Terry Sumsion (February 7, 1947 – March 26, 2011) was a Canadian country singer. [1] He received a Juno Award nomination for Country Male Vocalist of the Year at the Juno Awards of 1985 . [ 2 ]
The portrait of the woman “literally emerged before our eyes … piece-by-piece,” because of the mosaic-like way an infrared camera scans an image, Barnaby Wright, deputy head of the Courtauld ...
Trump even released a country music cover of Tom Petty’s "I Won't Back Down" in September 2023, which reached No. 6 on Billboard's Country Digital Song Sales chart.
The song's production received similarly positive comments. Caramanica and Leszkiewicz found it to be restrained and nuanced, [25] [32] and Keefe lauded it as a masterful construct of song structure. [39] PopMatters 's Michael Sumsion described the guitar as "sky-bound plinking" that "bursts into an acoustic charge of pastoral loveliness". [42]