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The áo giao lĩnh was influenced from Han Chinese clothing. [1] It is a robe with a wrap collar closing on the right side. The wrap collar closing on the right side is known as jiaoling youren (Chinese: 交領右衽; lit. 'intersecting collar right lapel') in China; garments with this form of wrap collar originated in China and started to be worn at least since the Shang dynasty (c. 1600 BC ...
On Tết and other occasions, Vietnamese men may wear an áo gấm (brocade robe), a version of the áo dài made of very thick fabric and with sewed symbols. The áo dài dress has traditionally been marketed with a feminine appeal, with "Miss Ao Dai" pageants being popular in Vietnam and with overseas Vietnamese . [ 11 ]
A robe is a loose-fitting outer garment. [1] [2] Unlike garments described as capes or cloaks, robes usually have sleeves. The English word robe derives from Middle English robe ("garment"), borrowed from Old French robe ("booty, spoils"), itself taken from the Frankish word *rouba ("spoils, things stolen, clothes"), and is related to the word ...
Chinese clothing in the form of trousers and tunic were mandated by the Nguyễn dynasty. As late as the 1920s, in Vietnam's north area in isolated hamlets skirts were still worn. [15] Ming, Tang, and Han dynasty-styled clothing was ordered to be adopted by Vietnamese military and bureaucrats by the Nguyễn lord Nguyễn Phúc Khoát. [16]
Painting of young lady in áo bà ba by Đào Sĩ Chu. Áo bà ba (Vietnamese: [ʔǎːw ɓâː ɓaː], translates to "Grandma's shirt") is a traditional southern Vietnamese garment. The top part that covers the torso is called the áo ("shirt" in English). It is mostly associated with rural southern Vietnam, especially in the Mekong Delta ...
In the time of transition and the cultural intersection between West and East in Vietnam at the end of the 19th and early 20th century, Vĩnh Ký had such a grandiose career that the French scholar J. Bouchot called him "the only scholar in Indochina and even the modern China" In Vietnam, Vĩnh Ký was praised as the most excellent language and ...
Nguyễn Tuân was first a patriot, who expressed a deep love for traditional values and cultural beauties. Having a great appreciation of the Vietnamese language, he admired not only masterpieces from famous authors such as Nguyễn Du, Đoàn Thị Điểm, Tú Xương, Tản Đà..., but also the arts of the common people, like ca trù, a form of theatrical singing of northern Vietnam.
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of 20th century Vietnamese nationalism.