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Portrait of a woman wearing a heavily ruffled cap, 1789 Mechanical ruffler by Singer, used on domestic sewing machines. In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming.
Mechlin lace is known for its rich floral patterns, [6] fine twisted-and-plaited, hexagonal ground, and its outlined designs. [4] [2] [3] It looks much like Brussels lace, however it is made all at once, [3] with the réseau or ground made at the same time as the pattern on the pillow.
Carrickmacross lace is a form of lace that may be described as decorated net. A three-layer 'sandwich' is made consisting of the pattern (at the bottom), covered with, first, machine-made net and then fine muslin, through which the pattern can be seen. A thick outlining thread is stitched down along the lines of the pattern, sewing net and ...
Erin Fetherston's runway show for New York Fashion Week Spring/Summer 2016 is must-see gorgeous.
Brussels lace is part lace.This is made in pieces, with the flowers and design made separate from the ground, unlike Mechlin lace or Valenciennes lace; because of this, the long threads that form the design always follow the curves of the pattern, whereas in bobbin laces made all at the same time, the threads are parallel to the length of the lace. [3]
Point de Venise is a Venetian needle lace from the 17th century characterized by scrolling floral patterns with additional floral motifs worked in relief (in contrast with the geometric designs of the earlier reticella). [2] By the mid-seventeenth century, it had overtaken Flemish lace as the most desirable type of lace in contemporary European ...
It was woven with a needle, multi-colored silk threads, combined patterns of small flowers and leaves. The white, silk lace suspenders with lily patterns of the Cilicia-Armenian women's costume are of interest. [6] In Karin , Van, Baghesh, women wove the laces of their foreheads, the edges of yapush, and yazmans. [7] In the decoration of the ...
The characteristic garment of the period was the ruff, which began as a modest ruffle attached to the neckband of a shirt or smock and grew into a separate garment of fine linen, trimmed with lace, cutwork or embroidery, and shaped into crisp, precise folds with starch and heated irons.