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Pages in category "Paintings of Hebrew Bible prophets" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. B.
[37] [38] Though both groupings did not object to book illustrations or prints of biblical events, or portraits of reformers, production of large-scale religious art virtually ceased in Protestant regions after about 1540, and artists shifted to secular subjects, ironically often including revived classical mythology.
The Prophet Jonah is opposite the fresco of the prophet Zachariah. [5] Behind the figure of Jonah, Michelangelo has painted a large fish (a tarpon), a reference to the fact that in the Book of Jonah, Jonah is swallowed by one. A close-up of the face of the central figure
The Prophet Joel is one of the seven Old Testament prophets painted by the Italian High Renaissance master Michelangelo (c. 1508–1512) on the Sistine Chapel ceiling. The Sistine Chapel is in Vatican Palace, in the Vatican City. This particular fresco imagines the person of Joel, a prophet from the Hebrew Bible, whose teachings appear in the ...
Moses Breaking the Tablets of the Law is a 1659 oil-on-canvas painting of the prophet Moses by the Dutch artist Rembrandt. It depicts Moses about to break the original two stone tablets inscribed with the Ten Commandments. It is now in the Gemäldegalerie, Berlin. [1]
The work is remembered by Renaissance art biographer Giorgio Vasari as property of a Bolognese nobleman, Vincenzo Ercolani. There is trace of payment by him to Raphael for 8 ducats in 1510, but this is generally considered just a down payment, since stylistically the work (inspired for example by Michelangelo's Sistine Chapel ceiling) cannot be dated before 1518.
Pages in category "Paintings based on the Book of Revelation" The following 17 pages are in this category, out of 17 total. ... The Fall of the Rebel Angels;
The angel who rescues Shadrach, Meshach, and Abednego from the "fiery furnace" in the Book of Daniel Chapter 3 is usually regarded in Christian tradition as Michael; this is sometimes represented in Early Christian art and Eastern Orthodox icons, but rarely in later art of the Western church.