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The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high). It is larger than the mandola , but smaller than the mandocello and its construction is similar to other instruments in the mandolin family.
Regal made a line of mandolins for Perlberg & Halpin of New York to brand Blue Comet. In the early 1930s, Regal had licensed the use of Dobro resonators. When National moved from California to Chicago, Regal acquired the rights to manufacture Dobro instruments. That made Regal become another producer of "house brand" guitars before World War II.
Upon settling in the Sacramento area in 2012, Griffin started his own business building the mandolele. The mandolele is a nylon-stringed mandolin with four strings rather than eight. Griffin built it to achieve the soft tone characteristic of nylon-stringed instruments such as the ukulele, combined with the tuning and feel of an F5 mandolin.
A flatback octave mandolin. The octave mandolin (US and Canada), termed the octave mandola in Britain and Ireland and mandola in continental Europe, is tuned an octave below the mandolin: G 2 –D 3 –A 3 –E 4. Its relationship to the mandolin is that of the tenor violin to the violin, or the tenor saxophone to the soprano saxophone. Octave ...
This page was last edited on 21 April 2006, at 04:46 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may ...
The 64 Chromonica is a four-full-octave harmonica in the key of C. With 64 reeds on a plastic comb, it boasts an extra octave below the middle-C note, giving it an accentuated versatility. [9] The CX-12 is a 12-hole, 48-reed chromatic, uniquely designed with a one-piece plastic housing and a more ergonomic slide button. It is available in ...
The Old Sacramento State Historical Park currently includes the California State Railroad Museum, a train depot for excursion train rides and reconstructions of a cluster of early commercial ...
In 1954, Kay added the K-160 bass to its catalog with baritone tuning, according to the catalog, [citation needed] "tuned like the first four guitar strings but one octave lower." Structurally this bass was basically same as K-162 bass, except for the higher pitched tuning and the addition of a white pickguard.