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Yawkyawk, Aboriginal shape-shifting mermaids who live in waterholes, freshwater springs, and rock pools, cause the weather and are related by blood or through marriage (or depending on the tradition, both) to the rainbow serpent Ngalyod. Yee-Na-Pah, an Arrernte thorny devil spirit girl who marries and echidna spirit man.
Using Indigenous names and mascots, like the former Washington Football Team name, extends beyond racial insensitivity; it reinforces colonialism and erases Indigenous identity and land. [1] Such practices maintain the power relationship between the dominant culture and the Indigenous culture, and can be seen as a form of cultural imperialism. [4]
The flag of Argentinian Mapuche people was created in 1987 by Julio Antieco, and ratified in 1991 by the 1st Assembly of Aboriginal Leaders and Communities in Trevelin. The Chubut Province declares this symbol as "official emblem of the aboriginal communities of the province" (Act 4,072). Their colors and symbolism are: Blue: the sky
Kwakwakaʼwakw mythology – an Indigenous peoples of the Pacific Northwest Coast. Lummi – a North American tribe from the Pacific Northwest, Washington state area. Nuu-chah-nulth mythology – a group of indigenous peoples living on Vancouver Island in British Columbia. Haida mythology – a nation living in Haida Gwaii and the Alaska Panhandle.
Sedna (Inuktitut: ᓴᓐᓇ, romanized: Sanna, previously Sedna or Sidne) is the goddess of the sea and marine animals in Inuit religion, also known as the Mother of the Sea or Mistress of the Sea.
Within Haida mythology, Raven is a central character, as he is for many of the Indigenous peoples of the Americas; see Raven Tales. While frequently described as a "trickster", Haidas believe Raven, or Yáahl [2] to be a complex reflection of one's own self. Raven can be a magician, a transformer, a potent creative force, ravenous debaucher but ...
Indigenous American arts have had a long and complicated relationship with museum representation since the early 1900s. In 1931, The Exposition of Indian Tribal Arts was the first large scale show that held Indigenous art on display. Their portrayal in museums grew more common later in the 1900s as a reaction to the Civil Rights Movement.
Modern knowledge of Taíno creation myths comes from 16th century Spanish chroniclers investigating the indigenous Caribbean culture. Columbus was very much interested in knowing about the religion of the Taínos; In his original letter to the Queen, he expressed the opinion that the natives had no religion whatsoever, however this was an attempt to persuade Isabella that it would be easy to ...