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This project marked Vernon's second planned feature film and her final slated appearance for 1916. [43] The movie's promotional materials and articles widely advertised that Francelia Billington and Agnes Vernon were the lead actresses. Trade magazines consistently listed Vernon as playing Caroline until approximately Christmas 1916.
Title Director Cast Genre Notes 20,000 Leagues Under the Sea: Stuart Paton: Jane Gail, Allen Holubar, Matt Moore: Action Adventure: Universal.Based on the novel by Jules Verne: The Abandonment
Charlie Chaplin signs for Mutual Film for a salary of $10,000 a week and a signing on fee of $150,000, making him one of the highest-paid people in the United States.; June 24 – Mary Pickford signs a contract for $10,000 a week plus profit participation, guaranteeing her over $1 million per year.
The 1619 Project is an American documentary television miniseries created for Hulu.It is adapted from The 1619 Project, a New York Times Magazine journalism project focusing on slavery in the United States, which was later turned into the anthology The 1619 Project: A New Origin Story.
As is often the case, the listed time for this feature-length movie varies. The average time per 1,000-foot 35mm reel varied between ten and fifteen minutes per reel at the time. Thus, the total time for this movie is computed between fifty and seventy-five minutes. [39] An article in December 1916 issue of Photoplay points out:
Between 1915 and 1916, the number of feature movies rose 2 ½ times or from 342 films to 835. [6] There was a recurring claim that Carl Laemmle was the longest-running studio chief resisting the production of feature films. [ 7 ]
20,000 Leagues Under the Sea is a 1916 American silent film directed by Stuart Paton. The film's storyline is based on the 1870 novel Twenty Thousand Leagues Under the Seas by Jules Verne . It also incorporates elements from Verne's 1875 novel The Mysterious Island .
Between 1915 and 1916, the number of feature movies rose 2 + 1 ⁄ 2 times or from 342 films to 835. [5] There was a recurring claim that Carl Laemmle was the longest-running studio chief resisting the production of feature films. [ 6 ]