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What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A spinet is a harpsichord with the strings set at an angle (usually about 30 degrees) to the keyboard. The strings are too close together for the jacks to fit between them. Instead, the strings are arranged in pairs, and the jacks are in the larger gaps between the pairs.
The jacks that plucked the strings were placed in opposite-facing pairs within the larger gaps between strings. Most spinets are smaller than regular harpsichords. The spinettone was very long, but narrower than a regular harpsichord. The novelty of Cristofori's spinettone was that unlike any other spinet, it deployed multiple choirs of strings.
Note the projecting keyboard, unlike the inset Flemish examples. Spinet virginals (not to be confused with the spinet) were made principally in Italy (Italian: spinetta), England and Flanders (Dutch: spinetten). The keyboard is placed left of centre, and the strings are plucked at one end, although farther from the bridge than in the ...
A harpsichord spinet with Arnold Dolmetsch's inscription, in the studio of Swiss luthier, Claude Lebet Instruments built and restored by Dolmetsch in the Horniman museum, London, UK. Dolmetsch was employed for a short time as a music teacher at Dulwich College , but his interest in early instruments was awakened by seeing the collections of ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
In a typical keyboard layout, black note keys have uniform width, and white note keys have uniform width and uniform spacing at the front of the keyboard. In the larger gaps between the black keys, the width of the natural notes C, D and E differ slightly from the width of keys F, G, A and B. This allows close to uniform spacing of 12 keys per ...