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It is worth pointing out that the "classic" cumbia known throughout Colombia is the Cumbia Cienaguera. This song reflects a uniquely Colombian feel known as "sabor" (flavour) and "ambiente" (atmosphere). Arguably, this song has remained a Colombian staple through the years and is widely known as Colombia's unofficial national anthem.
This is a list of the National-Report Top 100 Nacional number-one songs of 2016. Chart rankings are based on radio play and are issued weekly. The data is compiled monitoring radio stations through an automated system in real-time. [1]
This is a list of the National-Report Top 100 Nacional number-one songs of 2015. Chart rankings are based on radio play and are issued weekly. The data is compiled monitoring radio stations through an automated system in real-time. [1]
Pages in category "Colombian songs" The following 35 pages are in this category, out of 35 total. This list may not reflect recent changes. A. Alicia Adorada;
This is a list of the number-one songs of 2018 in Colombia according to National-Report and Monitor Latino.Both charts are based on airplay across radio stations in Colombia; Monitor Latino uses the Radio Tracking Data, LLC in real time, [1] [2] whereas National-Report uses a system by Media-Scanner. [3]
Carlos Alberto Vives Restrepo (born 7 August 1961) is a Colombian singer, songwriter and actor. He is known for his interpretation of traditional music styles of Colombia such as vallenato, cumbia, champeta, bambuco and porro as well as genres such as Latin pop, rock, reggaeton, dance-pop and tropical music.
This is a list of the National-Report Top 100 Nacional number-one songs of 2013. Chart rankings are based on radio play and are issued weekly. The data is compiled monitoring radio stations through an automated system in real-time. [1]
In its list of the ten most iconic Colombian songs, El Nuevo Siglo, rated La Pollera Colorá at No. 1. [4] In its list of the 50 best Colombian songs of all time, El Tiempo, Colombia's most widely circulated newspaper, ranked the version of the song recorded by Wilson Choperena with the Pedro Salceo orchestra at No. 5. [5]