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Qin Shi Huang, founder of the Qin dynasty, created the title of Huangdi, which is translated as "emperor" in English.. The nobility of China represented the upper strata of aristocracy in premodern China, acting as the ruling class until c. 1000 CE, and remaining a significant feature of the traditional social structure until the end of the imperial period.
During imperial China (221 BCE – CE 1911), a wide variety of noble titles were granted. Some of these were hereditary; an overlapping subset were honorary. At the beginning of imperial China, the administration of territory was growing out of the older fengjian system, and the central government asserting more control over the old aristocracy.
Historically, Chinese noble titles were usually created with a shiyi (食邑; shíyì; fief) each, although the fief could be only nominal. The Hongwu Emperor of the Ming dynasty enfeoffed cadet branch princes and other nobles in different regions of China. The Qing dynasty ended this tradition; with only a few exceptions, no fief was ever named.
Noble Consort Chengmu (simplified Chinese: 成穆贵妃孙氏; traditional Chinese: 成穆貴妃孫氏, 1343–1374) of the Sun clan, was an imperial consort of the Ming dynasty. She was a concubine of Emperor Hongwu (Zhu Yuanzhang), the first ruler of the Ming dynasty.
In Confucianism, the ideal personality is the 聖 shèng, translated as saint or sage.However, as sagehood is impractical for most people, Confucius defined an archetype for a less demanding but still cultured and moral way of life and used the term junzi, originally used to refer to members of the nobility, to refer to anyone upholding that way of life, regardless of social status.
Imperial Noble Consort Keshun, better known as Consort Zhen or popularly as the Pearl Consort, was an imperial consort of the Guangxu Emperor. The Qing dynasty system was one of the simplest systems in Chinese history. Officially, there were eight ranks: Empress (皇后; huánghòu) Imperial Noble Consort (皇貴妃; huángguìfēi)
In translation, these misunderstandings have been compounded by an enduring false equivalence between titles of Zhou nobles and those of European feudal peers, as well as inattention to context in certain use cases. Chinese bronze inscriptions and other archaeologically excavated texts have helped clarify the historical situation.
In Chinese art, the Four Gentlemen or Four Noble Ones (Chinese: 四君子; pinyin: Sì Jūnzǐ), is a collective term referring to four plants: the plum blossom, the orchid, the bamboo, and the chrysanthemum. [1] [2] The term compares the four plants to Confucian junzi, or "gentlemen".