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This Stupid World is the seventeenth studio album by American indie rock band Yo La Tengo, released on February 10, 2023 by Matador Records.It was recorded and produced by the band in their studio space intermittently between 2020 and 2022, during the COVID-19 pandemic and represents their first effort self-producing.
Lyrics unrelated to the Moby story were added later. [16] Most of the lyrics on I Can Hear the Heart Beating as One deal with melancholy emotions. [17] The track "Stockholm Syndrome", which is the first Yo La Tengo song sung by McNew, [15] is about captives eventually expressing empathy toward their captors and vice versa. [17]
The final track is a deliberate misspelling of the band's name — the album's CD-Text reiterating this by listing the track as "The Story of Yo La Tango", followed by the message "Yes — it should be Tango!".
And Then Nothing Turned Itself Inside-Out received acclaim from music critics.AllMusic reviewer Heather Phares felt that the album "isn't as immediate as some of the group's earlier work, but it's just as enduring, proving that Yo La Tengo is the perfect band to grow old with". [5]
The Sounds of the Sounds of Science is a score written by Yo La Tengo for filmmaker Jean Painlevé. It contains 78 minutes of instrumental music to accompany his eight short documentary-style films shot underwater. The live performances are known as “The Sounds of Science.” The program debuted in 2001 at the San Francisco Film Festival. The ...
Comprising eleven cover songs as well as five originals, this album is regarded as a departure from their previous albums due to it containing mostly folk songs. [citation needed] "Barnaby, Hardly Working" is a new version of the song featured in the previous album President Yo La Tengo.
In the weeks after Matty Healy’s controversial behavior at the Good Vibes Festival got the festival canceled by Malaysian authorities, English rock band Muse has revealed why they chose to alter ...
Yo La Tengo covered Andalucia in 1990, on Fakebook, which mostly features covers. The instruments are more low key in this version, placing more emphasis on Ira Kaplan's delivery of the lyrics. It has been described as "only slightly less fragile" lyrics-wise - likely due to Ira Kaplan's American accent as opposed to John Cale's Welsh. [2]