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The hymn is named for its Hebrew incipit, which means "Strong Rock (of my Salvation)" and is a name or epithet for God in Judaism. It is thought to have been written sometime in the 13th century, although recent research suggests the 12th century.
In the United States "Rock of Ages" is usually sung to the hymn tune Toplady by Thomas Hastings as revised by Lowell Mason. In the United Kingdom the hymn tune Redhead 76 is most common. This tune is also called Petra, after Peter being referred to as the Rock by Christ, by Richard Redhead. Both tunes circulate in the churches of both countries.
But my faithfulness and my mercy shall be with him: and in my name shall his horn be exalted. I will set his hand also in the sea, and his right hand in the rivers. He shall cry unto me, Thou art my father, my God, and the rock of my salvation. Also I will make him my firstborn, higher than the kings of the earth.
In 1755, Catherine and Augustus moved to Ireland, and Augustus was enrolled in Trinity College Dublin.. Shortly thereafter, in August 1755, the 15-year-old Toplady attended a sermon preached by James Morris, a follower of John Wesley, in a barn in Codymain, co. Wexford (though in his Dying Avowal, Toplady denies that the preacher was directly connected to Wesley, with whom he had developed a ...
In Psalm 19:15 of the Hebrew Bible, God is referred to as the "Lord, my Rock and my Redeemer". [3] In religious terms, the "Rock" means God, who protects the Jewish people and is the center of their faith, which defines their identity and consciousness. The term indicates the trust and faith of people in God, who is immutable.
For God is our rock, hope of salvation; a strong deliverer, in him I will always trust. Praise him, praise him, praise him, praise him! Jesus, blessed Savior, he's worthy to be praised. From the rising of the sun until the going down of the same, he's worthy, Jesus is worthy, he's worthy to be praised. Praise him, praise him, praise him, praise ...
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Alvin Ailey made "Rocka My Soul in the Bosom of Abraham" [4] the music for the triumphant finale of his internationally known choreography Revelations, which was born out of the choreographer's "blood memories" of his childhood in rural Texas and attending the Baptist Church with his mother. [5]