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Non-Japanese language haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement within modern Japanese haiku (現代俳句, gendai-haiku), supported by Ogiwara Seisensui and his disciples, has varied from the tradition of 17 on as well as taking nature as their subject.
Two years later, she joined the Hototogisu literary circle and shared the position of leading female haiku poet with Nakamura Teijo. The two were later joined by Hashimoto Takako and Mitsuhashi Takajo. In 1937 Hoshino published her first haiku anthology, which was followed by other volumes including Kamakura, Sasame and Jitsui. Her style ...
Traditional Japanese court music (雅楽, "elegant music") that has accompanied ceremonies and rituals since the 7th century. Features orchestral arrangements of wind and string instruments, plus drums, performed in highly structured compositions. Gakuya Backstage areas (楽屋) housing actors, stage crews, and support staff.
The set of Sept haïkaï were composed by Messiaen in 1962 after a trip to Japan while he was on honeymoon with his new second wife, Yvonne Loriod.They were influenced by the sounds of Indian rhythms, Gagaku, the music of the Noh theatre, and the birdcalls of Japan, which he had first incorporated in Chronochromie. [1]
The interest in Japanese classical music led Delage to organize a concert when in 1925 the shamisen virtuoso Sakichi Kineya IV visited Paris. Jirohachi Satsuma [ ja ] , a wealthy patron of the arts, recalled: "Ravel and Delage thought to organize a welcoming party in honour of Sakichi and his wife, at the home of the pianist [Henri] Gil-Marchex.
Ozaki Hōsai (尾崎 放哉, 20 January 1885 – 7 April 1926) was the haigo (haikai pen name) of Ozaki Hideo, a Japanese poet of the late Meiji and Taishō periods of Japan. An alcoholic, Ozaki witnessed the birth of the modern free verse haiku movement. His verses are permeated with loneliness, most likely a result of the isolation, poverty ...
Santōka Taneda (種田 山頭火, Taneda Santōka, December 3, 1882 – October 11, 1940) was the pen-name of Shōichi Taneda (種田 正一, Taneda Shōichi), a Japanese author and haiku poet. He is known for his free verse haiku—a style which does not conform to the formal rules of traditional haiku.
The Danrin school reacted against the wordplay and mannerisms of the Teimon school, and expanded both the subject matter of haikai and its vocabulary, to cover lowlife and include vulgarisms: [5] the use of what Bashō called "more homely images, such as a crow picking mud-snails in a rice paddy".