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Articulation is a musical parameter that determines how a single note or other discrete event is sounded. Articulations primarily structure an event's start and end, determining the length of its sound and the shape of its attack and decay.
In the second measure, the pairs of notes are stemmed separately indicating two different parts, so the staccato applies only to the upper note. The opposite musical articulation of staccato is legato, signifying long and continuous notes. [6] There is an intermediate articulation called either mezzo staccato or non legato.
Dry (sparse accompaniment, staccato, without resonance); with basso continuo accompaniment for recitativo, this often means that a chordal instrument will play, along with one or more sustained bass instruments. This is in contrast to accompagnato recitativo, which involves the use of continuo and other instruments with their own obbligato parts.
Legato ⓘ, Portato ⓘ, Staccato ⓘ, Staccatissimo ⓘ Tuning is a musical technique which is performed directly before nearly all instruments are used (even unpitched percussion instruments are often tuned), so it is often taught to students at the beginning of study of most instrumentals. Different instruments require varying techniques.
[2] [3] In the second half of the 19th century, German music (starting with Haydn's later works) began replacing the vertical stroke with the regular accent mark when the notes were to be emphasized but not abbreviated, and French music began replacing the vertical stroke with the staccato dot when the notes were to be both emphasized and ...
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The notation with dots under slurs is ambiguous, because it is also used for very different bowings, including staccato and flying spiccato. [1] [4] Currently, portato is sometimes indicated in words, by "mezzo-staccato" or "non-legato"; or can be shown by three graphic forms: a slur that encompasses a phrase of staccato notes (the most common), or