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Scars of the Crucifix is the seventh studio album by Florida death metal band Deicide, released on February 23, 2004, as the band's first album on Earache Records. Background [ edit ]
The Stench of Redemption is the eighth studio album by Florida death metal band Deicide. It is the first album by the band to feature Jack Owen (formerly of Cannibal Corpse) and Ralph Santolla (formerly of Iced Earth) on guitars. Some editions of the album include a cover of "Black Night" by Deep Purple, with rewritten lyrics by Glen Benton.
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When London Burns is the first DVD released by Florida death metal band Deicide. It was released on March 7, 2006, by Earache Records. The extra features include a documentary entitled Behind the Scars, which discusses the production of the album Scars of the Crucifix. The Hoffman brothers left Deicide five days before the concert was recorded.
Serpents of the Light is the fourth full-length album by Florida death metal band Deicide. It was released on October 21, 1997, by Roadrunner Records . Glen Benton stated that "Serpents of the Light" was written "about a friend of mine that died".
To Hell with God is the tenth studio album by American death metal band Deicide.The follow-up to Till Death Do Us Part (2008), it was originally intended to be released in 2009 [4] before being pushed back to a 2010 release, [5] and was finally released on February 21, 2011, through Century Media Records.
Glen Michael Benton [2] (born June 18, 1967) is an American musician, best known as the lead vocalist, lyricist and bassist for the Florida death metal band Deicide.. In addition to his work with Deicide, Benton was also a of member of the band Vital Remains, occasionally recording and performing with the band.
The album received mixed to positive reviews. Metal Injection said that "the album definitely belongs in the top half of Deicide's discography", [3] Decibel said that "by track four, it has already muscled its way into the upper echelons of the band’s storied discography", [6] but Exclaim! writer Joe Smith-Engelhardt called the album a "sore spot" in Deicide's career.