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The second was used through TNG and in the first two seasons of Star Trek: Deep Space Nine (DS9). The third was used in the last five seasons of DS9, throughout Star Trek: Voyager, the four TNG films, and in flashback scenes in Star Trek: Picard (PIC). The fourth was seen in use in 2399 in Picard.
"The Man Trap" is the first broadcast episode of season one of the American science fiction television series Star Trek. Written by George Clayton Johnson and directed by Marc Daniels, it featured design work by Wah Chang and first aired in the United States on September 8, 1966.
Acoustic hailing devices are acoustic devices capable of outputting intelligible sound at very high volumes. The distance at which acoustic hailing can be effective varies based on several factors including the sound level, directionality, and frequency of the acoustic source, the sensitivity and directionality of the receiver, and the transmission channel environment.
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Hailing Frequency Star Trek Gaming News - A community website with news and interviews about Star Trek Gaming. A bi-weekly podcast and live radio show, forums with over 5000 members. TrekCore Gaming Museum - Information on all Star Trek games, by platform, and includes Current online games. List of Star Trek games at BoardGameGeek
The reference work Star Trek Fact Files indicates this limit at warp factor 9.99. This is the highest conventional warp speed mentioned for a spaceship (Borg cube). Also in the episode Threshold (Star Trek Voyager) the warp factor 9.99 is suggested as the limit. This is the last warp factor mentioned before the leap takes place in the transwarp ...
"Wink of an Eye" is the eleventh episode of the third season of the American science fiction television series Star Trek. Written by Arthur Heinemann, based on a story by Gene L. Coon (under the pen name Lee Cronin), and directed by Jud Taylor, it was first broadcast on November 29, 1968.
The low-frequency sounds were more felt than heard, providing a vivid complement to onscreen depictions of earth tremors, bomber formations, and amusement park rides. The overall trend toward " multiplex " cinema structures presented challenges that made Sensurround impractical as a permanent feature of cinema.