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The pattala is similar to other mainland Southeast Asian instruments, including the Thai ranat ek and the Cambodian roneat ek. In pre-colonial Burma, the pattala was used in royal court music. [ 7 ] In fact, when the piano was first introduced to the Burmese court in the late 1800s, it was tuned to the scale of the pattala.
The malimbe is a type of xylophone from the Congo [1] which is described as having both male and female counterparts; the former has 15 wooden bars, the latter has nine. [2] "Malimbe" also refers to a lamellaphone or mbira type instrument amongst the Nyamwezi of Tanzania. [3]
Like the glockenspiel, the xylophone is a transposing instrument: its parts are written one octave below the sounding notes. [5] Concert xylophones have tube resonators below the bars to enhance the tone and sustain. Frames are made of wood or cheap steel tubing: more expensive xylophones feature height adjustment and more stability in the stand.
Marimba translates to "a xylophone-like instrument" from an African language, probably Bantu. The glass keys are made of either hard glass (plate glass) or soft glass (stained glass). The keys are resonated with either a single open top box or individual resonators for each key.
A gambang, properly called a gambang kayu ('wooden gambang') is a xylophone-like instrument used in Indonesian gamelan and kulintang ensembles. It has wooden bars (wilah) in contrast to the metallic ones of the more typical metallophones in a gamelan. A largely obsolete instrument, the gambang gangsa, is a similar instrument made with metal bars.
The balafon (pronounced / ˈ b æ l ə f ɒ n /, or, by analogy with xylophone etc., / ˈ b æ l ə f oʊ n /) is a gourd-resonated xylophone, a type of struck idiophone. [1] It is closely associated with the neighbouring Mandé, Bwaba Bobo, Senoufo and Gur peoples of West Africa, [1] [2] particularly the Guinean branch of the Mandinka ethnic group, [3] but is now found across West Africa from ...