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The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity.
Othello was first mentioned in a Revels account of 1604 when the play was performed on 1 November at Whitehall Palace with Richard Burbage almost certainly Othello's first interpreter. Modern notable performers of the role include Paul Robeson , Orson Welles , Richard Burton , James Earl Jones , Laurence Fishburne , Laurence Olivier , Patrick ...
It is also possible to play variants of Reversi and Othello where the second player's second move may or must flip one of the opposite-colored disks (as variants closest to the normal games). For the specific game of Othello , the game begins with four disks placed in a square in the middle of the grid, two facing light-side-up, two dark-side ...
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Of his turn as the title character in the 1964 production of “Othello” in Central Park, The New York Times gushed: “Mr. Jones commands a full, resonant voice and a supple body, and his ...
Otello (Italian pronunciation:) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello.It was Verdi's penultimate opera, first performed at the Teatro alla Scala, Milan, on 5 February 1887.
David Harewood has defended the use of Blackface by white actors in productions of William Shakespeare’s Othello.. The actor, 58, spoke about his concerns regarding the impact of identity ...