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Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction".
Notable examples of distortion and overdrive pedals include the Boss DS-1 Distortion, Ibanez Tube Screamer, Marshall ShredMaster, MXR Distortion +, and Pro Co RAT. A fuzz pedal, or fuzzbox, is a type of overdrive effects unit that clips a signal until it is nearly a squarewave , resulting in a heavily distorted or fuzzy sound.
Jeorge Tripps launched Way Huge in 1992. [3] In late 1999 the company closed its doors when Tripps went to work for Line 6.In 2008, Tripps and the company moved to Dunlop Manufacturing and resurrected the Way Huge line, including the Swollen Pickle (a fuzz), Pork Loin (an overdrive), Fat Sandwich (a distortion), [3] and Green Rhino (another overdrive).
JHS Angry Charly overdrive/distortion pedal. JHS manufactures and sells pedals with a variety of effects, including the Morning Glory V4, the Muffuletta, the 3 Series, the Pulp'N'Peel V4, the Andy Timmons AT+, the Paul Gilbert PG-14, the Legends of Fuzz series, the Unicorn Univibe, the Lucky Cat, the Double Barrel V4, the 1966 Series and the Colour Box preamp.
Octavia and Vox Wah. The Octavia was an effects pedal designed for Jimi Hendrix by his sound technician, Roger Mayer. [1] It reproduces the input signal from a guitar one octave higher in pitch, and mixes it with the original and added distortion fuzz.
These original pedals in the series included the Dyna Comp, Distortion +, Phaser, Stereo Chorus, Stereo Flanger and Time Delay. In late 1983 MXR announced a digital sound effects pedal generator simply known as the Junior. The Junior was released in early 1984 and was added to the other six pedals in the Series 2000 line.
The Professional Duo is a double-manual version with bass pedals, a swell pedal and a slalom pedal. There is an optional amplifier and speaker unit, the PAS 55, that can be placed between the organ and pedals, to resemble a spinet organ. The Professional Piano was an electronic piano. There were two different models, whose main difference was ...
Electro-Harmonix was founded by rhythm and blues keyboard player Mike Matthews in October 1968 in New York City with $1,000. [3] He took a job as a salesman for IBM in 1967, but shortly afterwards, in partnership with Bill Berko, an audio repairman who claimed to have his own custom circuit for a fuzz pedal, he jobbed construction of the new pedal to a contracting house and began distributing ...