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Nicholas Pileggi (/ p ɪ ˈ l ɛ dʒ i /, Italian: [piˈleddʒi]; born February 22, 1933) is an American author and screenwriter. He wrote the 1985 non-fiction book Wiseguy and co-wrote the screenplay for Goodfellas , its 1990 film adaptation, for which he received a nomination for the Academy Award for Best Adapted Screenplay .
Wiseguy: Life in a Mafia Family is a 1985 non-fiction book by crime reporter Nicholas Pileggi that chronicles the life of Henry Hill, a Mafia associate turned informant. The book is the basis for the 1990 Oscar –winning film Goodfellas directed by Martin Scorsese .
Pages in category "Films with screenplays by Nicholas Pileggi" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes .
Book Subject Film adaptation(s) Abbie Hoffman: American Rebel (1982), Marty Jezer: Abbie Hoffman: Steal This Movie! (2000) The Agony and the Ecstasy (1961), Irving Stone: Michelangelo: The Agony and the Ecstasy (1965) Aimée & Jaguar. Eine Liebesgeschichte, Berlin 1943 (1994), Erica Fischer: Lilly Wust and Felice Schragenheim: Aimée & Jaguar ...
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Both films are based on the life of Henry Hill, although the character is renamed "Vincent 'Vinnie' Antonelli" in My Blue Heaven. Goodfellas was based on the book Wiseguy by Nicholas Pileggi , while the screenplay for My Blue Heaven was written by Pileggi's wife Nora Ephron, and much of the research for both works was done in the same sessions ...
The Alto Knights is an upcoming American biographical crime drama film directed by Barry Levinson and written by Nicholas Pileggi.The film stars Robert De Niro in a dual role as 1950s mob bosses Vito Genovese and Frank Costello, with Debra Messing, Cosmo Jarvis, Kathrine Narducci, and Michael Rispoli in supporting roles.
Nicholas Pileggi contacted Martin Scorsese about taking the lead of the project, which became known as Casino. [7] Scorsese expressed interest, calling this an "idea of success, no limits." [11] Pileggi was keen to release the book and then concentrate on a film adaptation, but Scorsese encouraged him to "reverse the order." [12]