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Year Title Production company Box office Source 2012 Sisterakas: Star Cinema, Viva Films ₱393.4 million [28]2013 It Takes a Man and a Woman: Star Cinema, Viva Films ₱387 million
He is a recipient of five Filipino Academy of Movie Arts and Sciences (FAMAS) best director in 1970, 1974, 1975, 1979, and 1990. Marilou Diaz-Abaya was a multi-awarded film and TV producer and director who gained fame for her film Jose Rizal (1998).
Southern Tagalog Exposure Free Jonas Burgos Movement Saan Nagtatago si Happiness: Florida M. Bautista and Real Florido: Andy Bais, Caridad Sanchez, Darling Lavinia: Drama/comedy: Sakal, Sakali, Saklolo: Jose Javier Reyes: Judy Ann Santos, Ryan Agoncillo, Gloria Diaz, Gina Pareño: Romance, comedy: Star Cinema: Selda: Ellen Ramos, Paolo Villaluna
Everyone thinks they know the classic lines from ‘Jerry Maguire,’ ‘Jaws,’ and ‘The Godfather.’ Surprisingly, chances are good that you’re remembering them wrong. 20 Famous Movie ...
The lines "Balutin mo ako sa liwanag ng iyong pagmamahal" (Wrap me in the light of your love) in the film's theme song "Bituing Walang Ningning" also became famous in Filipino popular culture as a reference to the practice of act of taking home food from buffets and special occasions. [12]
Okay Ka, Fairy Ko!: The Movie: Bert de Leon Tony Reyes: Vic Sotto, Tweetie De Leon, Aiza Seguerra: Fantasy: Regal Films: OXO vs Sigue-Sigue: Dante Pangilinan: George Estregan Jr., Sonny Parsons, Bebeng Amora, Rene Balan, Booby Benitez, Boy Bernal, Usman Hassim, Oca Reyes, Dick Israel: Historical action: Cine Suerte and Solar Films: Para Sayo ...
The table below shows the top 20 highest-grossing local and foreign films in the Philippines based from data gathered by Box Office Mojo.Gross earnings for foreign films represent their gross within the Philippines, while figures for local films represent their worldwide gross, as some did not disclose separate domestic and international gross.
In 2022, following the recognition of Nora Aunor as a National Artist of the Philippines, Filipino film critic-archivist Jojo Devera wrote that Minsa'y Isang Gamu-Gamo "features what still remains Aunor's most complex film performance" and that her "moving treatment of the material is some of the finest screen time she has ever occupied." [17]