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Charles I Receiving a Rose (French: Charles Ier recevant une ros), originally exhibited under the title Subject taken from the life of Charles I (Sujet tiré de la vie de Charles Ier), [1] is an 1829 history painting by the French artist Eugène Lami. [2] It portrays a scene from seventeenth century British history.
In the clip, Charles, 75, removed a black covering to reveal a large red portrait while standing beside Yeo, 53. The painting showed the king wearing a Welsh Guards uniform and clutching a sword ...
Measuring about 8 feet 6 inches (2.59 m) by 6 feet 6 inches (1.98 m), the work is in a vivid red and shows Charles in the uniform of the Welsh Guards. [3]Yeo explained his abundant deployment of the colour red in stating ..."The colour was an early experiment and then I sketched it out and worked on the face, and the face and background worked so well," and then went on to say ...."I just then ...
Yeo had four sittings with the King, beginning when Charles was Prince of Wales in June 2021 at Highgrove, and later at Clarence House. The last sitting took place in November 2023 at Clarence House.
Charles I in Three Positions, also known as the Triple Portrait of Charles I, is an oil painting of Charles I of England painted 1635–1636 [1] by the Flemish artist Sir Anthony van Dyck, showing the king from three viewpoints: left full profile, face on, and right three-quarter profile. It is currently part of the Royal Collection. [2]
Yeo, 53, shared on the Thursday, May 24, episode of Hello magazine’s “A Right Royal Podcast” that Charles saw a mostly finished version of the portrait last year and gave polite approval.
Delaroche's Charles I Insulted was commissioned by Francis Egerton, 1st Earl of Ellesmere, [3] who was known as Lord Francis Leveson-Gower until 1833 when, following the death of his father, he was created the first Earl of Ellesmere, inheriting Bridgewater House in London from his bachelor great uncle, Francis Egerton, 3rd Duke of Bridgewater. [4]
Jonathan Yeo, the artist behind King Charles III’s new portrait, explained why he chose to give the painting a red hue. “The red was inspired by the Welsh Guards, but I wanted the painting to ...