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Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
Gregorio is a free and open-source scorewriter computer program especially for Gregorian chant in square notation. Gregorio was adopted by many abbeys and large projects. Gregorio was adopted by many abbeys and large projects.
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel, the chants in the Liber Usualis originated in the 11th century. [1]
2008 – Chant: Music for Paradise, Universal Music / UCJ Music, 2xCD 4766977 [6] 2010 – Best of Gregorian Chant (compilation album): Zisterzienser Mönche vom Stift Heiligenkreuz, Choralschola des Klosters Santo Domingo de Silos u.a., Deutsche Grammophon, CD 480 3408 [7] 2011 – Chant: Amor et Passio, Obsculta Music / Preiser Records, CD ...
Chant is the best-selling album of Gregorian chant ever released. It peaked at No. 3 on the Billboard 200 music chart, and was certified as double platinum, meaning two million copies were sold in the United States and four million worldwide. [2]
"Viderunt omnes" is a Gregorian chant based on Psalm XCVIII (98), sung as the gradual [1] at the Masses of Christmas Day and historically on its octave, the Feast of the Circumcision. Two of the many settings of the text are famous as being among the earliest pieces of polyphony by known composers, Léonin and Pérotin of the Notre Dame school.
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.