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Rhyming couplets are one of the simplest rhyme schemes in poetry. Because the rhyme comes so quickly, it tends to call attention to itself. Good rhyming couplets tend to "explode" as both the rhyme and the idea come to a quick close in two lines. Here are some examples of rhyming couplets where the sense as well as the sound "rhymes":
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
The ottava rima uses the final rhyming couplet as a line of humour, to achieve a rhetorical anticlimax by way of an abrupt transition, from a lofty style of writing to a vulgar style of writing. [6] In the example passage from Don Juan, canto I, stanza 1, lines 3–6, the Spanish name Juan is rhymed with the English sound for the words true one.
Although often called Chinese couplet or antithetical couplet, they can better be described as a written form of counterpoint. The two lines have a one-to-one correspondence in their metrical length , and each pair of characters must have certain corresponding properties.
Synonymous parallelism in which one couplet expresses similar concepts can also be combined with antithetical parallelism in which a second couplet contrasts with the first. For example, synonymous and antithetical parallelism occur in Revelation 22:11: A Let the evildoer still do evil, A' and the filthy still be filthy,
The final couplet in poem often function as a "punch-line" conclusion, not only summarizing the poem, but also delivering the key thematic idea. [19] One example of Ovid's "argumentative" structure can be found in II.4, where Ovid begins by stating that his weakness is a love for women.
Some rhyming schemes have become associated with a specific language, culture or period, while other rhyming schemes have achieved use across languages, cultures or time periods. Some forms of poetry carry a consistent and well-defined rhyming scheme, such as the chant royal or the rubaiyat, while other poetic forms have variable rhyme schemes ...