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The term "salsa" was coined by Johnny Pacheco in the 1960s in New York, as an umbrella term for Cuban dance music being played in the city at the time. [2] Salsa as a dance emerged soon after, being a combination of mambo (which was popular in New York in the 1950s) as well as Latin dances such as Son and Rumba as well as American dances such as swing, hustle, and tap.
Cuban musicologist Mayra Martínez wrote that "the term salsa obscured the Cuban base, the music's history or part of its history in Cuba. And salsa was a way to do this so that Jerry Masucci, Fania and other record companies, like CBS, could have a hegemony on the music and keep the Cuban musicians from spreading their music abroad."
Rueda dancing requires a minimum of two couples, but could be as large as the maximum number of couples who can create a circle in the dance venue. (If necessary, multiple concentric circles can even be formed.) Since the 1990s, the music most commonly used for Rueda de Casino is either Salsa music or a unique variation of Salsa known as "Timba."
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
Latin dance is a mix of various dance styles from cultures around the world, creating a dance style encompassing this new age of Latin culture. [9] Influences deriving from West African, African American, and European dance styles were all comprised in the making of many of these Latin dances such as: Salsa , Mambo , Merengue , Rumba, Cha-cha ...
The International Salsa Museum (ISM) is a museum in development in New York City dedicated to preserving and celebrating the history, evolution, and global impact of salsa music and dance. [ 1 ] [ 2 ] It has garnered support from the estates of salsa icons Tito Puente and Celia Cruz , as well as many other musicians, dancers, choreographers ...
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In Mexico D.F., most people who dance to it are called "Chilangos"—which means people born in the main district. In the 1970s Aniceto Molina emigrated to Mexico, where he joined the group from Guerrero, La Luz Roja de San Marcos, and recorded many popular tropical cumbias like El Gallo Mojado, El Peluquero, and La Mariscada.