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A caesura (/ s ɪ ˈ zj ʊər ə /, pl. caesuras or caesurae ; Latin for " cutting "), also written cæsura and cesura , is a metrical pause or break in a verse where one phrase ends and another phrase begins.
An accented or masculine caesura follows an accented syllable, an unaccented or feminine caesura an unaccented syllable. The caesura is used in two essentially contrary ways: to emphasize formality and to stylize; and to slacken the stiffness and tension of formal metrical patterns. [2] calligram canon A body of writings established as authentic.
A double vertical bar || or ǁ is the standard caesura mark in English literary criticism and analysis. It marks the strong break or caesura common to many forms of poetry , particularly Old English verse .
In modern terms, a caesura is a natural break which occurs in the middle of a foot, at the end of a word. This is contrasted with diaeresis, which is a break between two feet. In dactylic hexameter, there must be a caesura in each line, and such caesuras almost always occur in the 3rd or 4th foot. There are two kinds of caesura:
(An "–" denotes a long syllable, "u" a short one, x is anceps (long or short), and ":" is the caesura.) The first syllable in lines 1 to 3 is sometimes short (13 times in book 1), but usually long. The 5th syllable, unlike in Greek, is always long. There is almost always a word-break after the 5th syllable.
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The French alexandrine (French: alexandrin) is a syllabic poetic metre of (nominally and typically) 12 syllables with a medial caesura dividing the line into two hemistichs (half-lines) of six syllables each.
Can we imagine ourselves back on that awful day in the summer of 2010, in the hot firefight that went on for nine hours? Men frenzied with exhaustion and reckless exuberance, eyes and throats burning from dust and smoke, in a battle that erupted after Taliban insurgents castrated a young boy in the village, knowing his family would summon nearby Marines for help and the Marines would come ...