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This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
The "Chicken Dance", also known and recorded as Der Ententanz, Tchip Tchip, Vogerltanz, the Bird Song, the Chicken Song, the Birdie Song, the Bird Dance, Danse des Canards, the Duck Dance, El Baile de los Pajaritos, O Baile dos Passarinhos, Il Ballo del Qua Qua, Check Out the Chicken, or Dance Little Bird, is an oom-pah song; its associated fad dance has become familiar throughout the Western ...
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
Introduced to Ireland in the late 19th century, there are today hundreds of Irish polka tunes, which are most frequently played on the fiddle or button accordion. The Irish polka is dance music form in 2 4, typically 32 bars in length and subdivided into four parts, each 8 bars in length and played AABB.
Zydeco music is centered on the accordion, which leads the rest of the band, and a specialized washboard, called a vest frottoir, as a prominent percussive instrument. Other common instruments in zydeco are the electric guitar, bass, keyboard, and drum set. [ 4 ]
George Antheil—of Ballet mécanique fame: Accordion Dance for accordion and orchestra (1951) John Serry, Sr.: American Rhapsody (1955), to name a few. [32] [33] In 1937 the first accordion concerto was written and played in Russia. Other notable classical accordion performers include Pauline Oliveros, and Rob Reich of the Tin Hat Trio.
European immigrants from Germany, Poland, and Czechoslovakia to northern Mexico and the southwestern United States also brought dance traditions such as the varsovienne. The focus on the accordion in the music of their home countries was integrated into Mexican music, and became an essential instrument. It was called norteño ("northern ...
Viljo Vesterinen recorded the song four times. Vesterinen's first recording took place as early as 1930 with Suomi Jazz Orkesteri. The recording was not an accordion solo, but the chorus of the song was sung by Kurt Londen (under the pseudonym Ilmari Rae) based on the lyrics written by RR Ryynänen.