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Scheherazade, also commonly Sheherazade (Russian: Шехеразада, romanized: Shekherazada, IPA: [ʂɨxʲɪrɐˈzadə]), Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). [1]
The exoticism of the Arabian Nights continued to interest Ravel. In the early years of the 20th century he met the poet Tristan Klingsor, [6] who had recently published a collection of free-verse poems under the title Shéhérazade, inspired by Rimsky-Korsakov's symphonic suite of the same name, a work that Ravel also much admired. [7]
Collection of Sacred Musical Compositions by N.A. Rimsky-Korsakov Used at the Imperial Court. Four-Voice Compositions from the Liturgy of St. John Chrysostom, Op. 22, 1883; contains 8 pieces; Collection of Sacred Musical Arrangements by N.A. Rimsky-Korsakov Used at the Imperial Court, Op. 22b, 1884; contains 6 hymns based on chant melodies
Both Antar and Scheherazade use a robust "Russian" theme to portray the male protagonists (the title character in Antar; the sultan in Scheherazade) and a more sinuous "Eastern" theme for the female ones (the peri Gul-Nazar in Antar and the title character in Scheherazade). [140] Where Rimsky-Korsakov changed between these two sets of works was ...
Rimsky-Korsakov – Scheherazade; Rubinstein – Piano Concerto No. 2; Schumann – 12 Gedichte; Shostakovich – Piano Concerto No. 1; Sibelius – Two Songs, Op. 35, collection of art songs (1908) Strauss – Don Quixote; Szymanowski – Violin Concerto No. 1; Tchaikovsky – Violin Concerto
Nikolai Rimsky-Korsakov in 1897. The Golden Cockerel (Russian: Золотой петушок, romanized: Zolotoy petushok listen ⓘ) is an opera in three acts, with a short prologue and an even shorter epilogue, composed by Nikolai Rimsky-Korsakov, his last complete opera, before his death in 1908.
Rimsky-Korsakov was not able to meet Berlioz due to the French composer's ill health. [15] He was, however, able to hear Berlioz conduct his Symphonie fantastique on December 7, 1867, and Harold en Italie at Berlioz's final concert on February 8, 1868. [15] Rimsky-Korsakov began work on Antar on January 21, between these two concerts. [15]
It is through Rimsky-Korsakov's version that Night on Bald Mountain achieved lasting fame. Premiering in Saint Petersburg in 1886, the work became a concert favourite. Half a century later, the work obtained perhaps its greatest exposure through the Walt Disney animated film Fantasia (1940), featuring an arrangement by Leopold Stokowski, based on Rimsky-Korsakov's version.