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Mongolian folk art includes a wide range of crafts and decorative arts, such as woodcarving, metalworking, embroidery, and weaving. These crafts are often passed down from generation to generation and are an important part of the country's cultural heritage. Mongolian handicrafts and folk art are often sold as souvenirs to tourists and are an ...
New artist groups were formed committed to modern and contemporary art in reaction to the dominance of Realism over the past decades. Previously taboo topics, such as the Mongol leader Genghis Khan, and abstract art styles were explored with passion. [17] At the same time, a revival of traditional art styles arose.
Mongol zurag (Mongolian: Mонгол зураг, Mongol painting) is a style of painting in Mongolian art. Developed in the early 20th century, zurag is characterised by the depiction of secular, nationalist themes in a traditional mineral-paint–on–cotton medium similar to Tibetan thangka.
Mongolian artist and art historian N. Chultem identified three styles of traditional Mongolian architecture (Mongolian, Tibetan and Chinese), alone or in combination. Batu-Tsagaan (1654), designed by Zanabazar, was an early quadratic temple. The Dashchoilin Khiid monastery in Ulaanbaatar is an example of yurt-style architecture.
A right-handed Mongolian draw. The Mongolian draw, or thumb draw, uses only the thumb, the strongest single digit, to grasp the string. Around the back of the thumb, the index and/or middle fingers reinforce the grip. This is traditional across the Asian steppes, as well as in Korea, [6] Japan, Tibet, China, Turkey, India and recent Persia. [7]
Mongolian calligraphy is a form of calligraphy or artistic writing of the Mongolian language. [ 1 ] Although Mongolia uses the Cyrillic script which was adopted during the Communist era, Mongolian calligraphy is written in the traditional Mongolian script .