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In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. [ 4 ] In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". [ 5 ]
It is also similar to an ellipsis, which takes the narrative forward and is intended to skim over boring or uninteresting details, for example the aging of a character. It is primarily a postmodern narrative device, named by analogy to the more traditional flashback, which reveals events that occurred in the past.
Flashback (narrative), in literature and drama, a scene that takes the narrative back in time Flashback (psychology) , in which a memory is suddenly and unexpectedly revisited Acid flashback , a reported psychological effect of LSD use
Often, exposition is initially bypassed, instead filled in gradually through dialogue, flashbacks, or description of past events. For example, Hamlet begins after the death of Hamlet's father, which is later discovered to have been a murder. Characters make reference to King Hamlet's death without the plot's first establishment of this fact.
Films and novels often achieve an asynchronous effect via flashbacks or flashforwards. For example, the film Citizen Kane starts with the main character's death, and then tells his life through flashbacks interspersed with a journalist's present-time investigation of Kane's life. The fabula of the film is the actual story of Kane's life the way ...
In fiction, a false protagonist is a literary technique, often used to make the plot more jarring or more memorable by fooling the audience's preconceptions, that constructs a character who the audience assumes is the protagonist but is later revealed not to be.
For example, Dickens' novel Great Expectations is noted for having only a single page of exposition before the rising action begins, while The Lord of the Rings by J. R. R. Tolkien has an unusually lengthy falling action. The plot can also be structured by the use of devices such as flashbacks, framing, and epistolary elements.
Later examples include the tales of Nasreddin, and Zen koans such as The Gateless Gate. In the United States, early forms of flash fiction can be found in the 19th century, notably in the figures of Walt Whitman, Ambrose Bierce, and Kate Chopin. [7]