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In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement.
The most common feature of breakdance music exists in musical breaks, or compilations formed from samples taken from different songs which are then looped and chained together by the DJ. The tempo generally ranges between 110 and 135 beats per minute with shuffled sixteenth and quarter beats in the percussive pattern.
Patriotic and parlour songs, piano pieces, sacred music, and novelty numbers published from before 1900 to 1920. Includes Canadian imprints and music by Canadians or about Canada published anywhere in the world. Library and Archives Canada: The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042
"Breakdance" is a song written by Giorgio Moroder, Bunny Hull, and the song's performer, Irene Cara. Moroder's obsession with the dance hit " Rockit " by Herbie Hancock fueled his composition of the music, and Cara was inspired by the street performers she saw growing up in the South Bronx to write lyrics about what was then called breakdancing .
Dub music introduced the techniques of mixing and scratching vinyl, [7] which Jamaican immigrants introduced to American hip hop culture in the early 1970s. [8] Beyond dub music, Creedence Clearwater Revival 's 1968 self-titled debut album features a backspin effect in the song "Walk on the Water".
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