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Epitrachelion. The epitrachelion (Ancient Greek: ἐπιτραχήλιον "around the neck"; Slavic: Епитрахи́ль - Epitrakhíl’; often called simply a stole in casual English-language usage) is the liturgical vestment worn by priests and bishops of the Orthodox Church and Eastern Catholic Churches as the symbol of their priesthood, corresponding to the Western stole.
Small fragments of textiles have been found from this period at archeological sites across Greece. [9] [page needed] These found textiles, along with literary descriptions, artistic depictions, modern ethnography, and experimental archaeology, have led to a greater understanding of ancient Greek textiles.
During his career, he used Constructivism, expressionism, Russian avant-garde and symbolism, as well as ancient Greek art as stylistic influences. He died in Paris at the age of 46 from pneumonia. [1] 1300 pieces from his collection were donated by him to the Piraeus municipality, and now reside at the Panos Aravantinos Decor Museum. [2]
Ancient Greek clothing consisted of lengths of linen or wool fabric, which generally was rectangular. Clothes were secured with ornamental clasps or pins (περόνη, perónē; cf. fibula), and a belt, sash, or girdle might secure the waist. Men's robes went down to their knees, whereas women's went down to their ankles.
Fresco from the 14th century depicting St. Gregory the Illuminator of Armenia wearing a white omophorion. Archbishop Benjamin (Peterson) wearing an omophorion in Alaska. In the Eastern Orthodox and Eastern Catholic liturgical tradition, the omophorion (Ancient Greek: ὠμοφόριον, meaning "[something] borne on the shoulders"; Slavonic: омофоръ, omofor) is the distinguishing ...
Greek epigrams that were literary versions of epitaphs refer to "the obol that pays the passage of the departed," [25] with some epigrams referring to the belief by mocking or debunking it. The satirist Lucian has Charon himself, in a dialogue of the same name, declare that he collects "an obol from everyone who makes the downward journey."
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