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During the magnetic era, sound recordings were usually made on magnetic tape before being transferred to other media. The third wave of development in audio recording began in 1945 when the allied nations gained access to a new German invention: magnetic tape recording. The technology was invented in the 1930s but remained restricted to Germany ...
Sound recording and reproduction is the electrical, mechanical, electronic, ... Discs were made of shellac or similar brittle plastic-like materials, played with ...
Phonograph cylinders (also referred to as Edison cylinders after its creator Thomas Edison) are the earliest commercial medium for recording and reproducing sound.Commonly known simply as "records" in their heyday (c. 1896–1916), a name which has been passed on to their disc-shaped successor, these hollow cylindrical objects have an audio recording engraved on the outside surface which can ...
Arguably, these circa 1887 experiments by Berliner were the first known reproductions of sound from phonautograph recordings. [ 16 ] However, as far as is known, no attempt was ever made to use this method to play any of the surviving early phonautograms made by Scott de Martinville.
The Encyclopedia of Recorded Sound is a reference work that, among other things, describes the history of sound recordings, from November 1877 when Edison developed the first model of a cylinder phonograph, and earlier, in 1857, when Léon Scott de Martinville invented the phonautograph. [1]
Early recordings were made entirely acoustically, the sound was collected by a horn and piped to a diaphragm, which vibrated the cutting stylus. Sensitivity and frequency range were poor, and frequency response was irregular, giving acoustic recordings an instantly recognizable tonal quality.
Pages in category "History of sound recording" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes. 0–9.
Wax phonograph cylinder recordings of Handel's choral music made on June 29, 1888, at The Crystal Palace in London were thought to be the oldest-known surviving musical recordings, [39] until the recent playback by a group of American historians of a phonautograph recording of Au clair de la lune recorded on April 9, 1860.