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The Japanese yojijukugo are closely related to the Chinese chengyu, in that a great many of the former are adopted from the latter and have the same or similar meaning as in Chinese. [2] Many other yojijukugo, however, are Japanese in origin. Some examples of these indigenous Japanese four-character idioms are:
A Japanese proverb (諺, ことわざ, kotowaza) may take the form of: a short saying (言い習わし, iinarawashi), an idiomatic phrase (慣用句, kan'yōku), or; a four-character idiom (四字熟語, yojijukugo). Although "proverb" and "saying" are practically synonymous, the same cannot be said about "idiomatic phrase" and "four-character ...
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Ishin-denshin has been traditionally perceived by the Japanese as sincere, silent communication via the heart or belly (i.e. symbolically from the inside, uchi), as distinct from overt communication via the face and mouth (the outside, soto), which is seen as being more susceptible to insincerities.
Ichi-go ichi-e (Japanese: 一 期 一 会, pronounced [it͡ɕi.ɡo it͡ɕi.e], lit. "one time, one meeting") is a Japanese four-character idiom that describes a cultural concept of treasuring the unrepeatable nature of a moment. The term has been roughly translated as "for this time only", and "once in a lifetime".
This true Japanese spirit needed to be revealed by removing a thousand years of Chinese learning. [2] It thus took an interest in philologically identifying the ancient, indigenous meanings of ancient Japanese texts; in turn, these ideas were synthesized with early Shinto and astronomy. [3]
The Japanese government made a decision to recognize Ainu as an indigenous language in June 2008. [10] [4] The Japanese government approved and passed a bill officially recognising the indigeneity of the Ainu people in 2019. [11] [12] On 12 July 2020, the Japanese government opened the National Ainu Museum in Shiraoi, Hokkaido. [13]
Japanese anthropologist Emiko Ohnuki-Tierney explains the idiom saru wa ke ga sanbon tarinai (猿は毛が三本足りない, "a monkey is [a human] minus three pieces of hair"): "The literal meaning of this saying is that the monkey is a lowly animal trying to be a human and therefore is to be laughed at. [1]