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FLAC is natively supported on IOS 11, including all "iDevices", but only via the Files (Apple) app or iCloud Drive. iTunes does not support FLAC, with Apple only offering native support for their own similar ALAC lossless audio format. Third-party applications are available in the App Store which enable FLAC playback.
The data compression software for encoding into ALAC files, Apple Lossless Encoder, was introduced into the Mac OS X Core Audio framework on April 28, 2004, together with the QuickTime 6.5.1 update, thus making it available in iTunes since version 4.5 and above, and its replacement, the Music application. [8]
TTA – Lossless compression; WavPack – Hybrid lossy/lossless; Bonk – Hybrid lossy/lossless; supported by fre:ac (formerly BonkEnc) Apple Lossless – Lossless compression (MP4) Fraunhofer FDK AAC – Lossy compression (AAC) FFmpeg codecs in the libavcodec library, e.g. AC-3, AAC, ADPCM, PCM, Apple Lossless, FLAC, WMA, Vorbis, MP2, etc.
fre:ac is a free audio converter and CD extractor for Windows, Linux, macOS, and FreeBSD, distributed under the GPL-2.0-or-later. [2]Besides extracting audio from compact discs (with various features including hidden track detection), fre:ac can also convert audio files from one format to another or to the same format at a lower bitrate (a higher bitrate can be forced but this does not ...
Download QR code; Print/export ... Pages in category "Lossless audio codecs" ... out of 17 total. This list may not reflect recent changes. A. Apple Lossless Audio Codec;
WavPack is a free and open-source lossless audio compression format and application implementing the format. It is unique in the way that it supports hybrid audio compression alongside normal compression which is similar to how FLAC works.
Free and open-source software portal; libavcodec is a free and open-source [4] library of codecs for encoding and decoding video and audio data. [5]libavcodec is an integral part of many open-source multimedia applications and frameworks.
The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.