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Some art theorists have proposed that the attempt to define art must be abandoned and have instead urged an anti-essentialist theory of art. [9] In 'The Role of Theory in Aesthetics' (1956), Morris Weitz famously argues that individually necessary and jointly sufficient conditions will never be forthcoming for the concept 'art' because it is an ...
In: Film Theory and Philosophy, eds. Allen & Smith, OUP (1997), pp. 42–59; On Being Fictional. The Journal of Aesthetics and Art Criticism 55 (1997), pp. 425–427 (with Ian Ravenscroft) Mental Simulation and Motor Imagery. Philosophy of Science 64 (1997), pp. 161–180; Simulation-Theory, Theory-Theory and the Evidence from Autism.
Art Theory: Cynthia Freeland: 13 February 2003: But Is It Art?: An Introduction to Art Theory, 2001: Art 084: Locke: John Dunn: 8 May 2003: Past Masters series, 1984: Philosophy/Biography 085: Modern Ireland: Senia Paseta: 27 March 2003: Human Geography 086: Globalization: Manfred Steger: 27 March 2003 22 January 2009 (2nd ed.) 4 April 2013 ...
Cynthia A. Freeland (born 1951) is an American philosopher of art.She has published three monographs, over two dozen articles, and edited several books. She is emeritus professor of philosophy at the University of Houston.
Here he knew contemporary art innovators such as Filippo Brunelleschi, Donatello and Masaccio, with whom he shared an interest for Renaissance humanism and classical art. Alberti was the first post-classical writer to produce a work of art theory , as opposed to works about the function of religious art or art techniques, and reflected the ...
On English art "The history of modern art in England is to a large extent a history of delayed and mediated responses." [3]On the value of art "[V]ividness in representation must entail the reconciliation of technical concerns for expressive form and surface on the one hand with the requirements of realistic description on the other...the more the activity of art tends toward the pursuit of ...
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.
Languages of Art: An Approach to a Theory of Symbols is a book by the American philosopher Nelson Goodman. It is a work of 20th century aesthetics in the analytic tradition. Originally published in 1968, it was revised in 1976. Goodman continued to refine and update these theories in essay form for the rest of his career.