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It is a genre of electronic literature, and also related to generative art. John Clark's Latin Verse Machine (1830–1843) is probably the first example of mechanised generative literature, [1] [2] while Christopher Strachey's love letter generator (1952) is the first digital example. [3]
Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. [1] Works of electronic literature are usually intended to be read on digital devices, such as computers , tablets , and mobile phones .
An Island of Sound is a piece of digital storytelling created by J.R. Carpenter that combines generative text and sound, images, spoken word, as well as live voice effects to explore and deconstruct the idea of phantom islands. [1]
The New River Anthology, A Journal of Digital Art and Literature has been publishing electronic literature continually since 1996, [8] collected in The NEXT Museum. [ 9 ] The NEXT Museum , Library, and Preservation Space at Washington State University at Vancouver is a project dedicated to preserving and sharing electronic literature.
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Electronic literature, Interactive fiction, Digital poetry, Generative literature, Cell phone novels, Instapoetry, Cybertext, Creepypasta, Fan fiction, Blog fiction Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction.
Digital storytelling is a community-based activity and should be distinguished from electronic literature, which is a literary movement where genres include hypertext fiction, digital poetry, interactive fiction, generative literature, and from other forms of digital narrative, for instance in video games or fan fiction.
Increasingly, digital audio are only available via download, lacking any kind of tangible counterpart. One example of this trend is the 2008 recording of Hector Berlioz's Symphonie fantastique by Los Angeles Philharmonic under Gustavo Dudamel. [21] Available through download only, it has presented problems for libraries which may want to carry ...