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Othello (/ ɒˈθɛloʊ /; full title: The Tragedy of Othello, the Moor of Venice) is a tragedy written by William Shakespeare around 1603. Set in Venice and Cyprus, the play depicts the Moorish military commander Othello as he is manipulated by his ensign, Iago, into suspecting his wife Desdemona of infidelity.
Othello. (1995 film) Othello is a 1995 drama film based on William Shakespeare 's tragedy of the same name. It was directed by Oliver Parker and stars Laurence Fishburne as Othello, Irène Jacob as Desdemona, and Kenneth Branagh as Iago. This is the first cinematic reproduction of the play released by a major studio that casts an African ...
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is a character in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio .
Tragedy 'Othello' draws Langston Fishburne to Ohio Shakespeare's title role in Akron. Langston Fishburne, playing the lead role of Othello, performs a scene during a tech rehearsal for Othello at ...
Othello. (1951 film) Othello (also known as The Tragedy of Othello: The Moor of Venice) is a 1951 tragedy directed and produced by Orson Welles, who also adapted the Shakespearean play and played the title role. Recipient of the Grand Prix du Festival International du Film (precursory name for the Palme d'Or [3]) at the 1952 Cannes Film ...
Othello is a 1965 film based on the National Theatre Company 's staging of Shakespeare 's Othello (1964-1966) staged by John Dexter. Directed by Stuart Burge, the film stars Laurence Olivier, Maggie Smith, Joyce Redman, and Frank Finlay, who all received Oscar nominations, and provided film debuts for both Derek Jacobi and Michael Gambon.
Iago (/ iˈɑːɡoʊ /) is a fictional character in Shakespeare 's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello 's standard-bearer. He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona. Iago hates Othello and devises a plan to destroy him by making him believe that Desdemona is having ...
There is debate among critics as to Emilia's character nature in Othello, with some deeming her a villain and some as the true hero of the play.This is because her allegiances initially seem to lie with her husband, and she displays the typical “wifely virtues of silence, obedience, and prudence" [2] of the Elizabethan period (as seen in her theft of the handkerchief in 3.1).